1/29/2024 0 Comments Magic bullet looks 2015All you have to do is drag it over, just like any other effect, onto the clip you’re editing ( Figure 2, below). Once you’ve installed Colorista, it will show up in your Effects panel in Premiere Pro and other NLEs in similar ways. Working With Colorista as a Premiere Pro Plug-in But you will see through this tutorial that Colorista can do a lot of complicated effects, because you can layer it like you can in other grading applications with primary and secondary layers of color. If you’re editing in Premiere Pro, using Colorista for your col grading keeps you from having to use the direct link over to SpeedGrade and back unless you wanting to do something extremely complicated. Well, not really destroy it, but I am going to make it have a very different quality-maybe not something that you would expect to see in footage like this.Ĭolorista is a powerful plugin that keeps you from having to bounce back and forth amongst different applications. I like this footage just the way it is, but I am going to destroy it with Colorista. The East Tennessee kayaking footage we’ll work with in this tutorial. You’ll see all these visual elements at different angles on the kayak and the kayaker in the video that accompanies this article.įigure 1. We’ve got some nice green trees, some rich earth tones in the rocks and water, some vibrant red, and a few other colors ( Figure 1, below). There’s some side lighting, the sun is still fairly low, and since it’s getting late in the season, the sun doesn’t rise up as directly overhead. It was shot on a late summer morning, and it’s got some nice color. I have some footage that I shot last year of a friend doing some kayaking on a river not too far from me in East Tennessee. If you have, you’ll notice one of the things that has changed is its simplified interface. If you haven’t used Colorista before, this will be a good introduction for you. You can download the grabs here but you can also see them below, with their annotations to explain what I did and why, these are 4K resolution images so that 1080 video image sits in the middle with plenty of space for me to annotate.Īs always, I hope you find these useful and any comments are welcome.In this article I’ll be taking a look at Colorista III, a color grading plug-in which is part of the Magic Bullet Suite from Red Giant Software. Obviously there are better people in the world at this, who do far more to their images than I have, but these are grabs from an XF305, on a low budget short, graded with consumer priced software, which does have limitations but is ultimately amazing for the price. I'm writing this up as I took a few grabs from the film to show Michael's college class how I altered each image to show them how you can alter images in grade to affect the mood and style of a scene. Also the plugin only selects a frame from your playhead position to give you a reference when grading, it's not a playable video clip and on a slow iMac like mine, playback is out of the question on un-rendered video that's been altered by third party software. It can be slow and doesn't allow you to check continuity between clips easily without closing the plugin first. One big downside to Magic Bullet, is that it is NOT a standalone programme, but in fact a plugin that works inside premiere, it essentially sits on your clip like a single filter and you need to open that each time you want to make adjustments. I'd purchased it to better my grading as I find the tools inside Premiere good but limiting, Magic Bullet allows you to change the exposure in certain areas of a frame and has better colour controls. I ended up cutting out around four minutes from what was originally an 18 minute film, and when I showed it to Michael he was unsure what I'd cut, which was essentially a lot of traveling and coverage we had to make sure we had room to play later.Īfter we were happy with the edit I started work on the grade, which was my first grading project using Magic Bullet Looks. I was initially the DoP so knew the footage well, and knew where there would be fixes to make also having a third party look at your edit can be very beneficial as the director can sometimes not see where cuts could be made to better the project. I offered to finish the film for Michael as I wanted it to be truly finished and Michael didn't have the time to complete it how he wanted. He was a little rushed for time and handed in what he could do in the time he had, the film was good but was essentially a first assembly with some tweaks and effects added to it it was still well received when screened though. We completed principal photography in January 2013 (after running over a little bit) and Michael got on with the post production which he did on his own. Since late 2012 I've been working on a film for my brother, it started off as his final project for his Masters degree and ended up being a bit of a passion project for myself.
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